Teaching staff

Teaching staff

pirineosCLASSIC

Now register in the Pyrenean courses Classic edition to you 2019:



Hosting | Options & Tariffs

DIGITAL OLYMPUS DOUBLE BED

TEACHING STAFF

ANA BAGET. Violin.

After forming in Barcelona with Gerard Claret and Gonçal Comellas, it was perfected with Franco Gulli, Yuval Yaron and Mimi Zweig in the University of Indiana (the USA), obtaining a Master in Violin and Pedagogy.

He has been member of the Symphony orchestra of Madrid, the Orchestra of Beautiful Reina Sofía Camera and the Quartet Arts, as well as attending of professor Rainer Schmidt in the School Superior of Reina Sofía Music.

Its interest by the pedagogy has taken it to develop and to systematize techniques of cord teacher training, being invited by numerous public and private educative institutions to distribute courses, chats and seminaries.

 

2019_BernatMiquel_ProfPercu_Color_LowRess

At the moment it forms pair with the Aníbal Bañados pianist, and is Professor in the Adolfo Salazar Conservatory of Madrid and the Summer String Academy of the University of Indiana (the USA). It gives classes in the course Chair of Music Emili Pujol de Cervera and during Music of Llanes, as well as in the Course the Pyrenean International of Music Classic de Canfranc.

MIQUEL BERNAT. Course of Composition.

Been born in Valencia, it received his musical formation in the conservatories of Valencia, Madrid, Brussels and Rotterdam, as well as in Aspen Summer Music Festival (the USA). Fin de Carrera in the Conservatory was distinguished with the “Extraordinary Prize Superior of Madrid, with the Special for Prize Percussion in the Dutch Gaudeamus Competition in 1993, and with Segundo Premio in Aspen Nakamichi Competition.

Its great versatility has allowed him to as much collaborate with the Orchestra City of Barcelona and the Royal Concertgebouw Orchestra of Amsterdam, as with the contemporary ensembles Ictus, Ictus Piano and Percussion Quartet, Allures Trio and the Pair Contemporain, among others.

As soloist, it has worn for the first time numerous works, between which they emphasize the Concert for marimba and 15 instruments, of David of the Port, in the Ars festivals Music of Brussels and Ensems of Valencia; Magnetic fields, of César Camarero, with the National Orchestra of Oporto and the Orchestra of the Community of Madrid; and Mantis walk in a Space Metal, in center Pompidou of Paris.

On Oporto it founded the group of Drumming percussion, selected as Resident Music Group of Porto 2001 when Oporto was Capital Cultural of Europe. Drumming has offered numerous concerts in Portugal, Spain, France, Belgium and Brazil.

Miquel Bernat is invited by the most important festivals of contemporary music, in France, England, Brazil, Venezuela, Australia, the USA, Finland, Germany, Spain, Portugal, Italy, Thailand, etc., as soloist, member of diverse ensembles and/or to give skillful classes.

Soloist in Just Before, piece of the choreographer has collaborated with diverse companies of dance, acting as percussionist Pink Anne Teresa de Keersmaeker Belgian and its company, as well as in Psappha, of the Italian choreographer Mauro Bigonzetti, with the Gulbenkian Ballet of Lisbon.

Enthusiastic interpreter of the new music, Miquel Bernat has worked with numerous composers (who have dedicated their works to him), thus contributing to the expansion and the constant evolution of the contemporary repertoire for percussion.

 

01a37a_ce95baab87e742e5a0b4608c10528f43

He has given classes in the conservatories of Rotterdam and Brussels. At the moment he is Professor of Percussion in the Escola Superior of Music of Catalunya (ESMUC), as well as in the Professional Escola of Music of Espinho and in the Escola Superior of Music do Porto (Portugal).Ona CARDONA 

. Clarinet.

After graduating with the principles qualifications in the Escola Superior as Music as Catalonia – where it studied with Josep Fuster and Joan Enric Lluna –, the Master in Music obtains Performance with Distinction in the Guildhall School of Music and Drama of London; later, it studies in the Royal College of Music – with Tim Lines and Richard Hosford –, where it receives the prize to the best clarinettist of the year.

After gaining the First Prize in the Multi-plant National Contest of Degree Superior, a solid trajectory as soloist begins, acting with the Orchestra of Spanish Broadcast television, Symphonic of Castilla and Leon, orchestras of Extremadura and the Balearics, Group Enigma de Saragossa, Orchestra City of Elche, Orquestra de Cambra Illa de Menorca and National Orquestra of Cambra d'Andorra. Also it has been awarded in numerous competitions, between which it emphasizes the Permanent Contest of JJMM of Spain and the Contest First Palau.

It has acted in rooms as Wigmore Hall, St Martin-in-the-Fields, Barbican Hall, Cadogan Hall, Glyndebourne Opera, The National Gallery, Carnegie Hall, Berlin Konzerthaus and Nanjing Music Hall; and in the international festivals of Segovia, Úbeda, Castell de Peralada, Ferrada Porthole, Granada, Ciutadella, Vigo, Santa Cristina d'Aro, Vilabertran, Cheltenham Town Hall, Cambridge and Würmtaler. Enthusiastic camerista, has shared scene with Aleksandar Madzar, Juliane Banse, Maximilian Hornung, Ramón Ortega, Gerold Huber and the Casals Quartet, among others.

Very tie to the today music, they have dedicated to works composers to him as Carles Santos, Alberto García-Demestres, Gabriel Brn ?ić, Jesús Rodríguez-Picó, Laura García Olalla, Julian Philips, Cimeon Ellerton, Pedro Faria Gomes, Solfa Carlile, Mark Wolf or H.C. Goldschmidt. It has recorded a CD for Column Music that only includes the first world-wide recording of for Suite Clarinet of Michel Camilo. In parallel to its race of interpreter, Superior of Music of them Illes Balears has worked in the Conservatori.

From 2012 she is Professor of Clarinet in the Conservatory Superior of Music of Aragon.

 

2019_CastroSergio_ProfViolín_Color_MidRessMore information on Ona Cardona in https://www.onacardona.com/

SERGIO CASTRO. Violín & Camerata of cord.

It begins his studies of violin in Madrid, with Hermes Kriales, to continue them with Antonio Arias, of whom probably it inherits his pedagogical vocation. It realises the Degree Superior in Madrid with Víctor Martín.

In 1979 it enters in the Musikhochschule de Freiburg, Germany, being his teachers Nicolás Chumachenco (violin) and Wolfgang Marshner and Marçal Cervera (camera music). It realises diverse international courses in Spain, Germany, Switzerland and Italy, attending skillful classes of Aldo Parisot, György Sébók, Charles Libove, etc.

It is charter member of the Orchestra of Reina Sofía Camera, as well as of other groups of camera as the Trio Aroca, Ensemble Dawn, Gunter Raphael Quartet, Camerata of Madrid

From 1983 it comes exerting an intense pedagogical work, being frequently invited to distribute courses of teacher training in the Classroom of Music of the University of Alcala de Henares and in conservatories of different autonomous regions.

 

CausséGérardProfViola'18Prestigious educator, recognized international level, Sergio Castro has been professor of creative violin and of the Project of Didactics of the Cord in the Conservatory Superior of Music of Aragon. At the moment he is professor in the Victoria Conservatory of Los Angeles and School CEDAM of Madrid.GÉRARD CAUSSÉ. Masterclass Viola (8-10 of ju

nuisance).

Been born in Toulouse, Gérard Caussé is a great teacher of the viola, recognized so much by its interpretations as by its pedagogical work, in addition to being one of the violistas that have been able to emphasize the viola as instrument ipso jure soloist, since it would do William Primrose century the past.

Gérard Caussé reached the international recognition in the middle of years 70 as charter member and soloist of the Ensemble Intercomtemporain de Pierre Boulez. At the same time he continued developing his violístico repertoire, also interpreting concerts of contemporary composers as Philippe Hersant or Katsuhiro Oguri, who dedicated its works to him.

He has acted as soloist with orchestras as the Orchestre National de France, Philarmonique de Radio France, Philarmonique of Montpellier, Orchestre of the Suisse Romande, Luxemburg Philharmonic or the Symphony orchestra of Sao Paulo, between many others. He has collaborated with prestigious directors, between whom is Charles Dutoit or Kent Nagano, and with soloists as Gidon Kremer, Maria João Pires, Paul Meyer or François-René Duchable. Between 2002 and 2004 he was Artistic Director of the Orchestre de Chambre de Toulouse.

The repertoire undertaken by Gérard Caussé understands from baroque music to Bruch, Berlioz, Bartok, Stravinsky, Britten or Mozart, to those who it considers “first in understanding the intention and the singularity of the viola.

Its international recognition is reflected in an extensive discography of more than thirty-five recordings for prestigious seals, as Deutsche Grammophon, Philips, EMI or Erato. Between the prizes that have obtained they are the Fondation of the Vocation, Prix Sacem, Grand Prix du Disque, Prix Gabriel Fauré or the Prix of the Academie Charles Cros.

 

2019_CernatClara_ProfViolín_Color_HighRess_Gérard Caussé touches a Gasparo viola gives Salo of 1560.

CLARA CERNAT. Violin & Violates.

Been born in Romania, Clara Cernat studied with the teacher Stefan Gheorghiu in the Academy of Music of Bucharest, in which he graduated in 1995 with the highest distinctions. He soon perfected his knowledge in the Academy of Music of Bonn – with Igor Ozim – and in the Academy of Sion Music, Switzerland – with Tibor Varga. He obtained the First Prize in the international contests Città I gave to Andria and Johann Sebastian Bach, as well as Segundo Gran Premio and the Mozart Prize in the Kloster Schöntal.

He develops to a shining international race as viola and violin soloist, forming pair with the Thierry Huillet pianist. In the land of the camera music, he collaborates habitually with musicians of the size of Alain Meunier, Michel Portal, Ophélie Gaillard, Christoph Henkel and Mikhail Petukhov, and with formation as Soloists of Bucharest, Orchestra of Camera of Toulouse and the Orchestra of Tibor Varga Camera, among others.

Clara Cernat is Professor Hors Classe de Violín and of Viola in the Conservatory & Musical Training center Superiors of Toulouse (France).

 

ChumachencoNicolásProfViolín'17.jpgMore information on Clara Cernat: http://www.pianoviolon.com/liens/clara-cernat-violoniste/cvfrancaiscc.pdf

NICHOLAS CHUMACHENCO. Violín & Camerata de Cuerda.

Been born in Poland, one formed in Argentina. It was perfected in the USA with Jascha Heifetz (University of California) and with Efrem Zimbalist (Curtis de Filadelfia Institute).

Awarded in the Tchaikovsky Contests of Moscow and Reina Elisabeth de Bruselas, it has acted as soloist by all Europe, the USA and South America, under the direction of teachers as Sawallisch, Mehta, Leitner, Maag, Kempe and Menuhin (with that collaborated frequently in the Festival of Gstaad); in recite to them, interpreting Sonatas and Partitas especially de Bach and the Whims of Paganini, that also has taken to the disc; as first violin of the Quartet of Cord of Zurich and, in the land of the camera music, next to innumerable soloists and formation of international forward edge.

 

2019_CinteroVicente_ProfFlauta_B&N_HighRessHe is University professor of Violin of the School Superior of Music of Freiburg (Germany) and Director-Soloist of the Orchestra of Reina Sofía Camera from 1990.

VICENTE CINTERO. Flute.

Been born in Llíria (Valencia), it initiates his musical studies in Musical Unió, graduating as Professor Superior de Flauta in the Joaquín Rodrigo Conservatory of Valencia. It extends his studies in Madrid and Paris.

It has been Soloist of the Symphony orchestra of the RTVE and has collaborated with orchestras as the Symphonic one of Madrid, Philharmonic of Gran Canaria, Symphonic of Tenerife, Symphonic of Euskadi, Orchestra of the Community of Madrid, Symphonic of Castilla and Leon and Orchestra of the Lyrical Theater of Cagliari (Italy) among others.

He has been member of the Grup Contemporani of Valencia and the Wind Quintet of the Orchestra of RTVE, as well as of the Ensemble Modus Novus. At present he is member of the OBAC Ensemble of Barcelona and Solista of the Orchestra of Andrés Segovia Camera of Madrid. Also he is member of the Orchestra and Banda Sinfónica of Musical Unió of Llíria. From 2003 it forms pair with the pianist Sea Liébana.

In the pedagogical scope, it has developed to his educational work in diverse conservatories and schools of music, and has distributed advanced officer training courses in Saragossa, Segovia, Valencia, Lleida, etc.

 

COLOM, Josep - PartitionCoulAt the moment he is Professor of Flute in Real Conservatorio Superior de Música of Madrid. 

JOSEP COLOM. Piano.

“I was born in Barcelona in 1947. Music was something very important and daily in my familiar atmosphere since I have memory. He was not habitual then in Spain. Without a doubt this circumstance and the fact that my parents, without being musical of profession, would support to me unconditionally, as much emotionally as economically, has allowed me to enjoy this office all the life.

“In my youth I gained some contests. The international of Jaén – in 1977 – and Santander – in 1978 – helped me to begin to be known in Spain; much more behind schedule, the Ministry of Culture of Spain granted the National Prize of Music, that I especially have considers by having it to the esteem of my colleagues of profession. In 80 years my public activity increased little by little, and at present I touch practically with all the Spanish orchestras – and great directors, as well as, in recital and music of camera, the main festivals and audiences.

“Also outside the borders I maintain a remarkable activity, particularly in France, where I lived during enough years, studying in the École Regulate to him of Musique, founded by Alfred Cortot and where I have recorded most of my discography for the seal Sends it, with music of as diverse authors as Brahms, Franck, Blasco de Nebra, Mompou and Falla.

“Recently seal RTVE has published a DVD with the third concert of Prokofiev and a CD with works of Chopin, Debussy and Ravel, live recordings of the file of Classic Radio within the series Great Spanish Pianists. Definitively, I prefer the live recordings although they are more imperfect. They are more real. My last recording is an attempt to recreate the spirit of a concert in direct, in addition to reuniting my last aesthetic proposals. One is a called CD Has a discussion (Eudora seal), where I interpret works of Mozart and Chopin in rotation, and which treatment to demystify the stylistic classifications that classify to the classic or “romantic composers as “.

“Many musicians have influenced and influence in my musical evolution. I want to honor in my beginnings to the composer (and at that time also pianist) Joan Guinjoan, who helped to develop a way me to approach music and the pianística execution much more rational and structured.

“A reserved temperament and introvert cause that my world is the recital and the music of camera, although I have not known to resign to the occasions to enjoy the wonders of the repertoire orchestra. I do not want to initiate a list of the orchestras, directors, quartets and musicians generally with whom I have shared great moments because inevitably it would forget to many and all have or have had importance for me.

“The pedagogy has little by little become something very valuable and an occasion – thanks in contact with the youngest musicians to renew the enthusiasm by the rediscovery of the great repertoire. In addition to giving skillful classes regularly, I taught, from his foundation in 1990, the Classroom of Music of the University of Alcala de Henares; and during several academic courses I have collaborated with the Conservatory Superior of Aragon. In 2012 I opened to a new pedagogical stage in the Conservatori Superior of the Liceu, in Barcelona.

“To make music it is a great privilege and I give thanks to all the people who have shared what for me it is a daily miracle.

 

OF CHASSY, Guillaume - foto2016More information on Josep Colom in http://www.josepcolom.com/ CHASSY GUILLAUME.

Factory Piano without Score & Introduction to the Jazz.

Pianist of classic formation, improvisador self-taught person forged in a mold that has so much of Thelonious Monk as of Sergei Prokofiev, Guillaume de Chassy is considered as one of the greatest French pianists of jazz. Sobriety and fervor in the expression, depth of the sound and reverence to the melody are their cardinal points, the keys of a poetic and singular universe. Widely praised by the press, its discography is the reflection of a personality that escapes to the classifications and of a always wide-awake creativity.

Guillaume de Chassy is a deeply appreciated musician in the world of the jazz, especially as member of the quartet Nouvelle Vague, of the Stéphane Kerecki double-bass player, in which he collaborates with the best French musicians (Emile Parisien, Jean-Charles Richard, Antonin Tri Hoang, Fabrice Moreau…). He has touched and recorded with historical figures of the international jazz as Paul Motian, Andy Sheppard, Mark Murphy, Enrico Rava, Paolo Fresu, André Minvielle, Christophe Marguet and David Linx.

Their deep affinities with classic music have taken to him to collaborate with the Brigitte Engerer pianist, the baritone Laurent Naouri, the choir Them Eléments and its director, Joël Suhubiette.

The interest by other forms of artistic expression has impelled to him to work in projects that combine text and music, collaborating especially with the great British actresses Kristin Scott-Thomas and Vanessa Redgrave.

Excellent educator, Guillaume de Chassy directs to the Department of Jazz of the Conservatoire à Rayonnement Régional of Tours (France).

 

2019_EstellésJoséLuis_ProfClarinete_Color_HighRess

More information on Guillaume de Chassy in www.guillaumedechassy.fr

JOSÉ LUIS ESTELLÉS. Clarinet & Course of Composition.

José Luis Estellés combines in its artistic trajectory the facets of clarinettist, orchestral director and educator.

After being chosen as “Young Soloist by the Ministry of Culture and Classic Radio to act in Venice (RAI) and Copenhagen (UER), its race has allowed him to act in Europe, America and Japan, in artistic collaboration with the quartets Orpheus, Casals, Enesco, Modigliani, Arriaga, Diotima, Artis Vienna and Arditti, among others; and with pianists as Eldar Nebolsin, Josep Colom, Claudio Martínez-Mehner, Pavel Gililov, Sergei Babayan and Jonathan Drake. He is founding of formation as Group Manon and TAiMAgranada.

It has acted as soloist under the direction of teachers as Encinar, Colomer, Foss, Griffiths, Kantorow, Marcon, Ore, Kalmar, Pay, Tabachnik, Udaeta, Olives and Pons, next to more than a twenty of orchestras.

Their recordings for Turtle Record, Emergo Classics, Audiovisuals de Sarriá, Verse, Kairos, Naxos, Komponisten Polyphonie and IBS Classical have obtained numerous distinctions.

Soloist of Clarinet of the Orchestra City of Granada, has collaborated with another formation of Spain, England, Belgium and Germany.

He was Artistic Director of Musikene – CSM of the Basque Country, where he is clarinet professor, and gives skillful classes internationally. He has been member of the jury in the contests of ARD (Munich) and Aeolus (D5usseldorf).

It made debut as conductor in 2000, and since then it has acted in Spain, Belgium, France, England, Bulgaria and Mexico. Its activity includes the symphonic sort, the opera and the contemporary creation. He was founding and Artistic Director of TAiMAgranada (2002-2008), and Director of Orchestral Studies in Musikene (2003-2010), where it developed his pioneering program of orchestral formation. Its collaborations as invited director includes orchestras as London Sinfonietta, the Bulgarian Symphony Orchestra, the Ensemble Instrumenta de Oaxaca and numerous Spanish orchestras. In his facet of director-soloist, it has acted with the Orchestra of Extremadura, TAiMAgranada, Orchestra of Camera Utopia, I Solisti I gave to Perugia and The Soloists of London, directing to soloists as Ute Lemper, Elisabeth Atherton, the Vocal Tenebrae Soloists, Spanish Brass, Javier Bonet and the Arbós Trio.

 

2019_EtxepareIñaki_ProfPedagCello_BN2_HighRess

It has directed numerous absolute openings and in his discography they emphasize first work world-wide recordings of Sorozábal, Guridi, of Pablo, Lazkano, Revueltas and Bacarisse (for Ibs Classical, with the Melomane Gold distinction).

IÑAKI ETXEPARE. Seminary of Pedagogy of the Cello.

Been born in Irún, it receives his first lessons of cello of professor Jacques Doué in the Conservatoire de Bayonne (France), where it obtains the Medaille D'Or and the Prix d'Honneur. In the following years it extends his studies in Paris and Barcelona, with professors as Xavier Gagnepain, Philippe Müller, Lluís Claret and Maud Tortelier, among others.

Its activities as camerista soloist and as takes to touch to him in cities worldwide: New York, Miami, Havana, Athens, Geneva, Barcelona, Bonn, Quito, Manila, Tokyo, Rio de Janeiro…

Of his extensive discography it is possible to emphasize the first Spanish integral of the Quintets with guitar of Luigi Boccherini, as well as the Cant dels Ocells (finalist, in 2005, in the Prizes of the Academy of Spanish Music), with works for cello and piano, next to the pianist Tensy Krismant. In 2008 it presents his recording in CD and DVD of the Three Sonatas of Johann Sebastian Bach, next to the José Manuel Azkue organist, with a documentary one on the restoration of the Cavaillé-Coll organ of 1876 of the church of Irún (www.irun.org/cavaille-coll). In 2010, next to the Marta Roma cellist, it presents Huapango, with unpublished works of Mexican Samuel Máynez, a CD that advances to the format of musical spreading containing, in addition to the audio one, the manuscript of the scores and a video. Also in 2010, it presents the integral of works for cello and piano of Gaspar Cassadó, accompanied to the piano by Ludovica Mosca. Its version of the Suites of Bach takes form, in 2011, with the CD Bach and the Sea: Hoop Suites in Hondarribia, that includes diverse documentary on the nature and other diverse aspects of its native earth.

 

ForcadaClaudioProfViolín'18Iñaki Etxepare picks up its long pedagogical experience in its work Pedagogy of the Cello, I free-DVD published by the prestigious Boileau Publishing house (Barcelona), of great interest for cellists. 

FORCED CLAUDIUS. Violin & Seminary of Pedagogy of the Cord.

Doctor by the Birmingham City University, Claudio Forcada is author of a thesis on the effectiveness in the pedagogy of the violin. He is expert in pedagogy of the stringed instruments, specialized in the works of Rolland, Suzuki, Zweig and Havas. Its international race takes to him to distribute some thirty courses and conferences every year in countries as Iceland, England, Austria, Germany, France, Ireland, Japan, Portugal, Scotland, Italy, Wales, El Salvador and Spain. She is author of six documentary ones in pedagogy of the stringed instruments as well as in musical education, giving class of both matters in the Valencian International University.

In 2012, Claudio Forcada received the Ernest Newman Prize of the Birmingham City University by its work in motor learning and instrumental pedagogy. In 2013 he received an official recognition in the Legislative Assembly of El Salvador, by his contribution to the musical education in this country.

At present he directs courses for instrumentalist of cord and teacher training in the United Kingdom, with annual regularity. He is founding and member of the committee of administration of the NGO Children4Music and director of Future Music, a program of education through music for underprivileged children; he collaborates in the formation of professors of a social program in Goa (India) as well as in System-Portugal and is director of Studio Forced in London.

 

GómezPlazaRocíoProfViola'18:PhotoMore on Claudio Forcada in www.claudioforcada.com

GOMEZ DEW PLACE. Viola.

Been born in Madrid, it studies with Myriam of Castillo and Emilio Mateu, obtaining Mention of Fin de Carrera Honor. Later reliza Diploma de Solista with Nobuko Imai and Ulrich Eichenauer in the Conservatoire Supérieur de Músique Tibor Varga de Sion (Switzerland), finalizing its studies with Mention of Honor and Distinction of the Court. It also receives skillful of Andra Darzins, Marjolein Dispa, Mimi Zweig, Lorand Fenyves, Bruno Giuranna, Nobuko Imai, Thomas Riebl, Paul Cocker and Gabor Takàcs-Nàgy, among others masterful classes of the viola.

As interpreter of camera music acts in cycles as the Festival of Music of Segovia, Cycles of Music of Camera of RTVE, Juan March Foundation, Foundation Anckle boot, Manuel de Falla Chair of Granada, Pau Casals Festival, Festival Bellerive and Festival Tibor Varga. He has been invited to act as soloist by orchestras as the City of Granada, Philharmonic of Madrid, Filarmonía of Spain, Camerata of Madrid, Andrés Segovia Orchestra, Orchestra of the Bellerive Festival (Geneva), Weinberger Orchestra Festival (Zurich), Orchestra of Reina Sofía Camera, Orquestra de Cadaqués, Chamber Orchestra of the Festival of Verbier and Camerata Valaisanne, as well as by formation as Modus Novus or the Ensemble Residences. He is member of the Orchestra of the Spanish Broadcast television in leave of absence.

He has participated in the disc recording diverse: Blessing – together to Nobuko Imai and the Tibor Varga Orchestra for Epson; recopilatorio of works of J. Villa-Red with the Orchestra of Reina Sofía Camera for the Naxos seal; monographic of G. Kummer-Nicolussi, forming the part of the Catái Quartet; or most recent Sonata Concertata to Four next to the Arbós Trio. Also it has recorded for National Radio and TV 5.

As far as his pedagogical work, she has been professor of viola of the Conservatory Superior of Music of Saragossa, being regularly invited to give classes in courses as the Pyrenees Classic, Martín Códax, City of Jamilena, Course Superior of Music Unicaja Foundation, Sale of the Moor or Musikae Forum.

 

2019_LópezLópezJoséManuel_ProfComposición_Color_LowRess

Rocío Gómez occupied the place of Assistant of Viola Solista in the Symphony orchestra of Barcelona and Nacional of Catalonia (2009-2012). At present she is Professor of Viola in the Professional Conservatory of Teresa Berganza Music of Madrid and member of the Orquestra gives Càmera.

JOSÉ MANUEL LOPEZ LOPEZ. Course of Composition.

The music of José Manuel López López is characterized by one immediate united seduction to a deep interioridad, both coming from a personal language of the great incessantly renewed modernity.

After forming with great musicians – first with Antón García Abril and Luis de Pablo in Madrid, and later abroad with Luigi Nono, Franco Donatoni and Roger Cochini in the GMEB (Group of Experimental Music of Bourges), before following courses of analysis and composition in Avignon with Olivier Messiaen and Pierre Boulez –, a personal language elaborates integrating the electronics and musical computer science, through the courses that realise with Horacio Vaggione in the University Paris 8 and with Tristán Murail in the IRCAM. He is holder of a DEA “Music and musicology of century XX in the School of High Studies in Social Sciences of Paris.

Their compositions go of works for soloists and the music of mixed camera or until great the formation. It receives orders of great festivals, as Nuove Sincronie (Milan), Gulbenkian Foundation (Lisbon), Ensems (Valencia), Radio France, Strasbourg MUSIC, CIRM Nice, Festival the International of Music of the Canary Islands and Art-Zoyd; as well as of the Ministries of Spanish and French Culture, of the Quartet Arditti, Tokyo Sinfonietta, Foundation Siemens-Trio Arbós, Foundation BBVA… Its music is interpreted by great musicians and formation, as the National Orchestra and the Orchestra of the Spanish Broadcast television, the Philharmonic Orchestra of City of Mexico, the Deutsches Symphonie Orchester of Berlin, the Orchestra of Bamberg, the National Orchestra of France, Sonorous Factory, Instrumental Grup of València, Espai Sonor, Ensemble Sonor, Plural Ensemble, Project Sigma, Ensemble l'Itinéraire, Solistes XXI, Ensemble Orchestral Contemporain, Ensemble 2e2m, Ensemble Intercontemporain, Percussions de Strasbourg, Miquel Bernat, Anne Mercier, Rachid Safir, Alberto Rosado, Jonathan Nott, Daniel Kawka, Esteban Algora, etc.

It also collaborates with artists of other disciplines, as painter José Manuel Broto, poet Dionisio Cañas or videastas Pascal Auger, Francis Naranjo and Robin Meier.

In 1996 José Manuel López López d'Action Artistique was granted a scholarship by the Association Française (AFAA) to realise a residence of composition in Villa Kujoyama de Kyoto (Japan), experience that would transform definitively its conception of the sound and the musical time; and in 1997 he was scholarship holder of the Spanish Academy of Beautiful Arts of Rome. In the year 2000 the Spanish State grants the National Prize to him of Music. In 2004 he is Professor Invitado of the Manuel de Falla Chair in Cadiz; and between 2005-2008 and 2011-2012 it exerts as University professor of Composition in the Conservatory Superior of Music of Saragossa. Between 2008 and 2011 he is Artistic Director of the National Audience of Music of Madrid.

In 2012 Iannis Xenakis In memoriam receives the prize of the SACEM Fondation Francis ET Mica Salabert by its work Meter Box. In 2013 he receives the Prix René Dumesnil granted by the Académie Française of Beaux-Arts. Their works have been published by the publishing houses Durand-Salabert-Eschig (Universal Music Publishing Group), Transatlantiques and Lemoine in Paris, and by You pound in Spain.

He has been in several occasions composer and/or artist in residence, as in Burgundy (2000/2003); professor invited in the Mozarteum de Salzburg and resident artist of the American Foundation Civitella Ranieri in Shade, Italy (2011). At present he is Professor Asociado and Director of the Factory of Composition of the Université Paris 8; Professor of Composition of Conservatoire Edgard Varèse (CRD) of Gennevilliers and of the CRR of Paris.

 

MacedoMaríaDeProfViolonchelo'18 - Foto2More on José Manuel López López: http://www.josemanuel-lopezlopez.com/es

MARIA DE MACEDO. Cello.

It initiates his studies of cello in Oporto (Portugal), city in which obtains Diploma Superior – under the trusteeship of professor Madalena Costa – and obtains the Prize Guilhermina Suggia. It continues his formation in Paris and Geneva, with Pierre Fournier; one moves then, with Beca Fulbright, to the University of Bloomington (Indiana, the USA), where it will be, successively, student and assistant of Janos Starker.

In the land of the camera music, it receives classes of teachers of the size of György Sebok, Bernard Greenhouse and Menahem Pressler. It also studies old music with Safford Cape, in Belgium.

In the decade of the 50 it developed an intense activity as soloist, offering recites them and concerts with orchestra by Europe and the United States, in as important rooms as the Wigmore Hall de Londres, often next to the pianist Sequeira Costa. During those years also it realised diverse record recordings.

He has been member of the Symphony orchestra of Oporto, the National Orchestra of Lisbon and the Orchestra of the Gulbenkian Foundation, of which it was Co-soloist during twelve years.

It emphasizes especially his enormous work in the field of the pedagogy. She has been professor in the Conservatory National Superior of Lisbon and in the School Superior of Music of Oporto. Between their students many of the best Spanish and Portuguese cellists of the present panorama are counted.

In 2001 it created the prestigious Forum of Cellos of Spain, an encounter for young cellists, that has become a referring one to national level. In 2013 it also creates, in collaboration with David Cruz, the Encounter of Cello of Santa Cristina (Portugal).

It is invited to comprise of the jury of the most prestigious international contests, in Switzerland, Germany, Spain…, among them the Prize Guilhermina Suggia, in Portugal.

 

MarcoDavidProfViolín&Orquesta'17

At present it is dedicated essentially to education; it gives classes in Madrid and numerous courses by all Spain.

DAVID MARCO. Violin & Orchestra of Cord.

It began his musical studies in the Musical Society of his native locality, Montserrat (Valencia); and it continued his formation in the Conservatory Superior of Valencia, the Reina Sofía School of Madrid and the Classroom of Music of the University of Alcala de Henares. Their professors were J. Vicente Cervera, Catalina Roig, Joaquín Palomares, Zakhar Bron, Anna Netchiporouk and Isabel Vilá.

David Marco obtained the First Martínez Báguena Prize, for young violinists of the Valencian Community. Scholar by the Valencian Catalan Autonomous Government, was also scholarship holder-resident of the Residence of Students of Madrid.

Between his activities he is possible to emphasize recites them to them in the Juan March Foundation of Madrid and the Academy of Spain in Rome, the concerts with the Isar Quintet Camera in the Organization of American States of Washington and the Cervantes Institute of Paris, and the concerts as member of the JONDE in the Carnegie Hall de Nueva York and the Philharmonic one of Saint Petersburg.

David Marco has been Concertino and Solista of the JONDE and Soloist of the Young Orchestra of the Valencian Community; and member of the orchestras of the Schleswig-Holstein Musik Festival (Germany), of the Eastern Music Festival (North Carolina) and of the Orchestra of Andrés Segovia Camera. Tutti of the Orchestra of the Community of Madrid, Symphony orchestra of the RTVE completed its orchestral formation as violin and Symphony orchestras of Seville, Granada, Valencia and Gran Canaria.

It has given classes of violin, music of camera and orchestra in Spain, the USA and Finland. He has been professor of violin in the Suzuki Academy of Isako Yoshimura, at school Swiss of Madrid and in the Professional Conservatory of Toledo, as well as in the Professional Conservatories of Ferraz and Teresa Berganza (Madrid). He has been also translator and artistic assistant director of the Musical Specialization courseses of the Classroom of Music of the University of Alcala.

At present Federico Moreno Torroba of Madrid is professor of the Integrated Center of Musical Lessons.

 

2019_MartínezIsraelFausto_ProfViolonchelo_Color2_LowRessBesides his musical activity, he develops a parallel trajectory as plastic artist and, especially, graphical designer (davidmarcovisual.com).

ISRAEL FAUSTO MART?NEZ MELERO. Cello.

Awarded with prestigious national and international prizes, Israel Fausto Martínez is considered one of the Spanish cellists of greater international projection. Their interpretations have waked up the enthusiastic applause of public and specialized critic, which has turned him into an artist invited regularly by excellent cycles and audiences of the present musical panorama.

Interpreter of great versatility, whose ample repertoire includes from the Baroque one to the contemporary music of vanguard, has acted as soloist and camerista in cycles and festivals of Spain, Germany, the United States, Holland, Italy, the Croatia, England, France or Portugal. He has realised recordings for RTVE, South Channel and TCM, as well as for the record seals Perosi Musici and Naxos.

Been born in River basin, he begins his studies with Francisco González and it continues his formation in Madrid under the trusteeship of María de Macedo. Scholar by the Foundation the Caixa, obtains in the University of Indiana (Bloomington, the USA) a Performer Diploma and a Master in Cello, with the teachers Tsuyoshi Tsutsumi and Janos Starker. Throughout his formation he has received also classes of artists as Mtislav Rostropovich, Bernard Greenhouse or Gÿorgy Sëbok, among others.

From 2003 he occupies the Chair of Cello in the Conservatory Superior of Manuel Castillo Music of Seville, being one of the asked for educators more at national level. He regularly gives skillful classes and advanced officer training courses, and is invited to comprise of the jury of numerous national and international contests.

He collaborates in diverse publications of specialized musical spreading, with articles of pedagogical or tie content to the cello; and it has been artistic co-director of the Festival the International of Music of Joaquín Turina Camera of Seville.

Between their immediate professional projects only are promotional concerts of their recording of the Suites for cello of J.S. Bach, as well as the recording of a double CD with more significant the pedagogical material of the Literature of the cello.

Israel Fausto Martínez is also Doctor in Philosophy by the University of Seville. He touches 1830 a Georg Staufer cello.

 

Carmen Martinez-Pierret ph5couleurMore information on Israel Fausto Martínez in http://israelfausto.com/ CARMEN MART?NEZ-PIERRET.

Piano. Director of the Pyrenees Classic.

She studied with professors Manuel Carra, Carles Marquès and Luiz de Moura Castro, receiving masterclasses of Paul Badura-Skoda, Josep Colom, Claude Helffer, Enrique Santiago and Nina Svetlanova, among others masterful. One has formed, in addition, in diverse corporal disciplines, between which she is possible to emphasize the Alexander Technique, the Method Feldenkrais and the Shot with Arc (is Goalkeeper Graduated by the Catalan Federation of Shot with Arc). As educator, she bases his education of the pianística technique on brings back to consciousness corporal-sensorial, in coherence with the pianística school developed by Marie Jaëll (student of Franz Liszt).

Jury of prestigious international contests (Contest of Piano of Epinal, Contest of Quartet of Cord of Bordeaux, etc.), has offered concerts, seminaries, courses and conferences in Europe and the USA. As soloist, he dedicates a special attention to contemporary music, the Spanish repertoire of century XX and to the work of women composers of all the times. In the land of the camera music he has collaborated with musicians as Gérard Caussé, Clara Cernat, Lluís Claret, Christophe Coin, Guillaume de Chassy, Stéphanie-Marie Degand, Thierry Huillet, Michel Lethiec, Joan Enric Lluna, Alain Meunier, Marie-Paule Milone, Aurèle Nicolet, Denis Pascal, Pavel Vernikov, Pierre-Henri Xuereb and the Orchestra of Camera of Toulouse, among others.

Its interest by the cross-sectional projects that imply the encounter between diverse forms of artistic expression takes it to frequently share scene with actors – narrative, between which it is possible to mention Lucia Bosè, Manu Fullola, Philippe Nesme, Fernando Palacios (familiar concerts in the Real de Madrid Theater), Éric Pierrot, Didier Sandre (Comédie Française), Joan Manuel Serrat and Luis Varela, in spectacles as Sati'Erik, Satie Night club, Résonance [s], Between deux guerres, the Aleph and Cuentos of always and never, among others.

 

MILONE, Marie-Paule - foto2016It has realised diverse record recordings: Lalai (for the seal Music Ventilator), Soledad Sonora (for Sello Author), Compliments (the Blue Window), the Shut up Music of Mompou (for the French seal nuit transfigurée) and Round about Mozart (for the new Thelxínoe seal). It has also recorded for RNE-Radio 2 and the 2 of Spanish Television (series Women in History, in the paper of the composer Pauline Viardot).

MARIE-PAULE MILONE. Cello & Song.

It studied cello with Arto Noras – in the Sibelius Academy of Helsinki, and with Janos Starker – in the University of Indiana, the USA, of that was soon Attending. Also it studied song, with Virginia Zeani, Nicola Rossi-Lemeni and Vera Rosza.

It has shared scene with great musicians: Joseph Gingold, Franco Gulli, Isaac Stern, Pinchas Zuckerman, Paul Tortelier… He gives concerts by everybody, as cellist (in pair with the Denis Pascal pianist) and as mezzo-soprano.

They emphasize in its discography the work of camera and lieder of Joseph Marx (in première world-wide), and the Requiem of Duruflé, distinguished by the critic with a Choc de Le Monde of the Musique.

She is Professor of Cello in the Conservatoire Supérieur de Musique (CRR) of Paris.

 

PASCAL, Denis - foto2016

More information on Marie-Paule Milone in https://denispascal.com/duo/ DENIS PASCAL.

Piano.

Although he affirms to be an especially French pianist, Denis Pascal occupies the singular position that to him multiple and crucial encounter confer. Student of Pierre Sancan and after Jacques Rouvier in the CNSM of Paris, realised studies of improvement with Léon Fleisher. Laureate already in the international contests of Lisbon, Zurich and the Concert Artist Guild of New York, marched to the USA to continue its formation with György Sebök in the University of Indiana, Bloomington, during three years. Numerous collaborations and tournées with the great Janos Starker cellist came soon. All these essential encounter exerted a decisive influence on their musical conception: light of all decorative temptation can be affirmed that Pascal has done hers the musical tradition of Central Europe, dyed of humanism and worried to realise an approach to the score without concessions, to years.

Denis Pascal as much applies to this ethics with rigor and certainty in the lisztiano repertoire as in impresionist music or the post-romantic scores. Its vision, singular at all the levels, of the pianístico repertoire, as well as their ardor when defending the works more infrequent not knowing and do of him one of the most interesting artists of the French and international scene.

Denis Pascal offers concerts in France throughout the world and, as soloist and camerista. Headress frequently in the USA - Lincoln Center and Merkin Hall of New York, Kennedy Center de Washington, as well as in Europe (concerts in Palermo, Rome, Venice, Lisbon or Helsinki). In Paris, the public of Théâtre DES Champs-Elysées, the Théâtre du Châtelet, the Théâtre of the Ville, Leave Gaveau to him and of the Garnier Opera it has been able to applaud to him in numerous occasions; as well as the one of the international festivals in which it has participated.

The discography of Denis Pascal reflects, naturally, its musical ideas. For the French seal Polymnie it has recorded the integral of the Hungarian Rhapsodies of Franz Liszt, with an expressive force that unanimously has been praised by the musical press, having received a Choc of the Le Monde magazine of the Musique, the Prize of the Association Française Franz Liszt, and a distinction as “Disc Recommended by the Classica magazine. Recently it has recorded the Concert for violin, quartet of cord and piano of Chausson, also for Polymnie, work that an enthusiastic welcome of the critic has received. Its collaboration with the orchestra Them Siècles de François-Xavier Roth, as soloist of both Concerts of Chopin (recorded by Polymnie) has renewed our vision of the sonoridades of these emblematic works, to the being interpreted in a Pleyel piano of the 1900, of the collection of Alfred Cortot, and with instruments of time. Finally, in March of 2008, its CD Jean Wiener: Pièces pour piano has obtained a Tuning fork d'Or of the French magazine Tuning fork.

Educator unanimously appreciated, has been during several years Professor Asistente de Michel Béroff in the CNSM of Paris and the CNSM of Lyons, and has contributed to the didactic work elaboration diverse in Cité of the Musique of Paris. At present he is Professor Titular de Piano in the CNSM of Paris.

 

Pereira?ngelProfPercusión'17More information on Denis Pascal: https://denispascal.com/

ANGEL PEREIRA. Classic percussion & Jazz, Battery. Ritmología & Aikido.

Versatile percussionist, has collaborated with musicians of jazz, flamenco, song and MGP (Tete Montoliu, Tito Puente, Carles Benavent, Perico Sambeat, Lluís Vidal, Charles Aznavour, Enrique Morente, Raimon, José Menese, Carmen Linares, Enrique Bunbury, etc.); and with composers and interpreters of classic and contemporary music (Josep Pons, Joan Guinjoan, George Benjamin, Luis de Pablo, Joan Albert Amargós, Walter Boeykens, Carles Santos, Plácido Domingo, Jordi Savall…). He also acts with his own groups, BCN Percussion Project (with Mel Semé and Alan Sousa), Vibratango and the pair with the guitarist Narcís Vidal.

Outstanding educator, was founding of L'Aula de Música Modern i Jazz, and of Centre d'Estudis Musicals of Barcelona; also it gave classes in the Universitat Pompeu Fabra. Author of Basic the Technical methods of Battery and Rythmical Reading I (Publishing New Carisch), has received numerous prizes and distinctions, as the National Premi of Music of the Autonomous Government of Catalonia or the one of Better Percussionist of the Association of Musicians of Jazz de Catalunya.

 

 

2019_PoggioAlejandra_BN_HighRessAt present, he is Professor of Percussion in the EMCA (Municipal Escola i Centre of them Arts de L'Hospitalet) and in the Municipal Conservatori of Music of Santa Coloma de Gramenet (Barcelona).

ALEJANDRA POGGIO. Viola.

It studies violin with Manuel Guillén and Serguei Fatkouline, and violates with Thuan Do Ming and José Manuel Román, graduating in both instruments with the principles qualifications.

Desire by contest a place to realise soloist studies in the School Superior of Reina Sofía Music with the teacher Gérard Caussé, and later a place in the University of Vienna with the violista of the Quartet Alban Berg, Thomas Kakuska.

In camera music one trains with the teachers Antonello Farulli and Piero Farulli (Italian Quartetto), Hatto Beyerle, Walter Levine (Lasalle Quartett), András Keller (Keller Quartett), Johanness Meissl (Vienna Artis Quartett) and Ferenc Rados.

Its prolific camerística activity includes cuartetista multitude of concerts as and recites to them of viola in Austria, Canada, the United States and Spain, in rooms as the Vienna KonzertHaus, Schloss Reichenau, Esterhazy Palace, Audience of Musical Youths of Montreal, National Audience of Madrid, Academy of Beautiful Arts of San Fernando and Audience Manuel de Falla of Granada, among others. It has realised recordings for RNE and obtained Segundo Premio in the Contest the International of Camera Mirabent Magrans, in 2009.

It has participated in diverse international festivals, as the International Music Festival Vienna-Prague-Budapest 2009, the Festival of Lanaudiere (Canada) and the Festival of Music of Pierre Monteux Camera (the United States).

During three years it has been Soloist of the Sinfonietta Baden in Vienna, recording for the Polish National Radio. He has been Viola Solista Invitada of the Orchestre of the Francophonie Canadienne, Haydn Ensemble Wien and the Salieri Ensemble Vienna, offering tours and concerts by Austria, Belgium, Germany, Holland, China, Canada and Mexico. At the moment she is assiduous collaborator of the Orchestra City of Granada.

It participates assiduously in historicistas and baroque projects, as help of soloist of Haydn Sinfonietta Wien (directed by Manfred Huss), the SchlossCapelle Vienna, the Ensemble Prataeritum and the Orchestra of the Choir San Juan de Dios of Granada. Also in this scope, it has collaborated with the Simon Standage violinist, the soprano Lynn Dawson and forming consort with José Vázquez, Professor of the Faculty of Antigüa Music of Vienna.

 

RosadoAlbertoProfPianoContemp'17From 2005 she is Professor of Viola of the Conservatory Superior of Granada. It is invited to give to skillful classes and courses in the University of Vienna, in Turkey, Lithuania, Siena and Canada.

ALBERTO ROSADO. Factory of Contemporary Piano & Course of Composition.

Alberto Rosado is born in Salamanca in 1970. He initiates his musical studies in his hometown and he continues them in Budapest with Peter Nagy and Amsterdam with Jan Wijn. As of 1994 he works regularly with Josep Colom in Alcala de Henares where, in addition, he studies music of camera with Ferenc Rados. In 1997 one close collaboration with Luca Chiantore begins who will influence enormously in its relation with the piano and the interpretation.

His interest by music contemporary is present during all their race, but 1999 are in when its activity gives a turn towards present music, when entering to comprise of the Plural Ensemble and the Gerhard Project, through which it takes contact with directors as Fabián Panisello, José Ramón Encinar, Zsolt Nagy, Jean Paul Dessy or Peter Rundel, and begins one close relation with numerous Spanish composers and of the rest of Europe. Since then one has appeared in Festivals as Aspekte, Présences, Ars Music, To Tempo, Music of Strasbourg or the Of San Sebastian Fortnight, and in the main cities of Europe, America and Japan.

It has acted as soloist with some of the best European orchestras, directed by Josep Pons, Rafael Frübeck de Burgos, Arturo Tamayo, Philip Greenberg, Alejandro Posadas, José Luis Temes and Dorel Murgu. It has recorded, with the seals Naxos, Cabbage Legno and Verso, works of Ligeti, Messiaen, Takemitsu, Cage, Waiter, Panisello and Of the Port, as well as complete works for piano of José Manuel López López and Cristóbal Halffter.

Alberto Rosado is Professor of Music of Camera and Contemporary Piano in the Conservatory Superior of Music of Salamanca, where also he coordinates the Factory of Contemporary Music.

 

Juan Mari Ruiz 2 (4)More information in http://www.albertorosado.com/

JUAN MARI RUIZ. Oboe & Pedagogy of the Wind.

Been born in Irun, it began his studies of Oboe in Conservatory of Bayonne with Jacky Morel and it continued them in the CNR of Paris with Jean Claude Jaboulay. It obtained the Fin de Carrera Prize in the Conservatory Superior of San Sebastian and Is licensed with Distinction in cor anglais by the Guildhall School of Music and Drama of London.

It collaborates regularly with the Symphony orchestra of Euskadi, the Symphony orchestra of Navarre, Orchestra of Bilbao, Orchestre Basque Bayonne-Côte, Orchestre de Pau-Pays de Béarn, etc., and with orchestras of camera as the Orchestra of the Chapel of Music of the SEO of Pamplona, Academic Sinfonietta Orchestra and Taupadak Orchestra, within his project of collaboration with the school of music of San Ignacio de Moxos (Bolivia). Also it collaborates with diverse groups of camera and offers recites of Oboe and piano to them.

It is dedicated to teaching from 1988, and from 1991 he is Professor of Oboe of the Conservatory Superior of Music of Navarre, where at present it exerts the position of Training unit commander. Students his have belonged to the main young orchestras (EIO, EGO, OSMO, JOSS and JONDE), and many of them are now professional in schools of music, conservatories, bands and orchestras. Also he distributes assiduously courses of Oboe and conferences on subjects related to the practice and musical education.

Besides music, he is a great fan to the resistance sports, having finished to date 46 marathons. In his www.eldeportedesermusico.com blog he regularly publishes articles about the similarities between the study of an instrument and the sport training, and how these two activities, practiced seriously, are reinforced mutually; in addition to everything a series of articles on the technique of the Oboe.

She is author of several articles appeared in musical magazines, and recently it has published his first book, titleholder the learning of the wind instruments wood, in the Redbook publishing house, within its collection Ma Non Troppo. In him strategies and effective techniques of study for wind instruments are explained.

 

SapiñaJavierProfContrabajo'17 ColorMore information in www.juanmariruiz.com.

JAVIER SAPIÑA. Contrabass.

Santa Cecilia de Cullera initiates her musical studies in the Musical Society and she continues them in the Conservatory Joaquín Rodrigo Superior of Valencia, where she calls herself in tube with J. Rosell.

Next he study of contrabass in the Conservatory Superior of Music of Madrid with E. Maravella, obtaining the Prize of Fin de Carrera Honor. He perfects his knowledge with Jeff Bradetich in Chicago and Franco Petracchi in Geneva, in addition to attending numerous national and international courses.

It is charter member of the orchestra of Collegium camera Orchestrates to him, of the Instrumental Grup of Valencia (National Prize of Music 2005), of the Vesperale Quartet and Zinger Septet, having collaborated with teachers as J. Menuhin, F. Ayo, N. Chumachenco, F. Petracchi, H. Rilling and P. Zinger, among others. He has recorded numerous CD and he has acted as soloist with diverse formation, mainly with the Collegium Orchestrate him and the Orchestra of Valencia. It has been Attending Soloist of the Philharmonic Orchestra of Gran Canaria, Soloist of the Symphony orchestra of Valencia and Professor of Real Conservatorio Superior de Música of Madrid, as well as University professor of the Conservatory Superior of Joaquín Rodrigo Music of Valencia.

As professor, Javier Sapiña distributes numerous specialization courseses; and it is trainer of the encounter of young orchestras as the JONDE (Young National Orchestra of Spain), the Young Orchestra of Castilla-Leon, the Young Orchestra of the Valencian Catalan Autonomous Government or the JM World Youth Orquestra.

 

2019_SapiñaJuanEnrique_ProfFagot_Color_HighRessAt present it is Contrabass Soloist of the Orquestra de València and person in charge of the Chair of the Conservatory Superior of Aragon, being a fervent diffuser of the school and the technique of his teacher, Franco Petracchi.

JUAN ENRIQUE SAPIÑA. Bassoon.

Juan Enrique Sapiña (Cullera, 1965) initiated its studies in the Musical Society Santa Cecilia de Cullera. He later passed to the Conservatory Superior of Music of Valencia, to continue his formation with professor José Enguídanos. In 1979 he got up himself to the Young Orchestra of Camera of Spain, studying with Vicente Merenciano Silvestre, university professor of Real Conservatorio de Música of Madrid and bassoon soloist of the Orchestra of RTVE. He also followed advanced officer training courses with professors Ovidio Danzi (bassoon soloist of the Scala of Milan), Vincenzo Menghini (bassoon of the Orchestra of the Radio of Turin), Daniele Damiano (bassoon soloist of the Philharmonic one of Berlin), Dag Jensen (School of Music of Essen) and Sergio Azzolini (Conservatory Superior of Sttutgart).

It has been bassoon soloist of the Philharmonic one of Gran Canaria, of the Symphony orchestra of the Principality of Asturias. He has collaborated with diverse orchestras, as the one of RTVE, the symphonic ones of the Balearics, Bilbao and Granada, the Orchestra City of Valladolid, the one of Camera of Friburgo, the Orquestra of them Arts of Valencia and the one of the Mariinsky Theater of Saint Petersburg, with directors of the size of Lorin Maazel, Zubin Mehta and Valeri Gérgiev. Also he has comprised of Group Épsilon the WindQuintet Sicania the Wind and the quartet of wood of the same name

During one decade he occupied the chair of the Conservatory Superior of Music of Saragossa. He has distributed courses for young orchestras of all the national scope (JONDE, Young person Orchestra of Murcia, the one of the Valencian Catalan Autonomous Government and the Philharmonic one of the University of Valencia), as well as in the conservatories of Alcañiz, Buñol, Avila, Alicante, A Coruña, Torrent, Almansa, Soria, Cordoba, etc., and during High performance of Ontinyent.

 

366cc6_eda4c23a31664ae28670373b7cd91d29At the moment he is professor of bassoon in the Conservatory Superior of Music of Castilla-La Mancha, member of the Instrumental Grup of Valencia (National Prize of Music) and bassoon soloist of the Orchestra of Valencia. LAURA SIMÓ. Choir

Gospel, Jazz & Musical comedy.

After study of medicine and graduating as translator and interpreter (she dominates five languages), decided to dedicate themselves to music as jazz singer. She has shared scene with figures as Ray Charles or Tete Montoliu, and collaborates habitually with Conrad Setó, Jordi Sabatés, Francesc Burrull, Carme Canela, Horacio Fumero, Joan Vinyals, Albert Guinovart, Manel Camp, Francesc Capella, Marcus Horn Trío, Guillermo Prats, Pedro Ruy Blas, Gran Canaria Big Band, the Symphony orchestra of Montpellier, etc. has given concerts in France, Switzerland, Germany, Luxembourg, Turkey, and by all Spain.

Of his discography she is possible to emphasize Bliss (Pianogrosso pair), The best is yet to eats (Laura Simó Sextet), Of cinema: My favourite things (with Horacio Fumero and Joan Vinyals), Senza Fine (with Eladio Reinón and the Ensemble de Bellaterra), Només Serrat (with Francesc Burrull), Immaterial Dream (with Pedro Ruy-Blas), etc.

It has presented the program Simply Luxurious for the Switzerland Television and collaborated in TV3 programs and the 2 of the TVE (the Open Night). It records for the record seals Satchmo, Present Record and Music Stress, among others.

 

TO BE ACCUSTOMED TO COLOMINA, Nuria - foto2016More information on Laura Simó in http://www.laurasimo.com/

NURIA TO BE ACCUSTOMED TO. Scenic formation for Musicians.

Been born in Barcelona, she is actress of theater, cinema and television. Professor of theater and classic ballet, is Director of the Group of Santiago Rusiñol Theater from 1986, and of the Group of Theater Artifice from 2010.

Lawyer in Theater by the School Superior of Dramatic Art of Madrid and in Classic Ballet by the Conservatory of Madrid, realised courses of theater with Lluís Pascual, John Strasberg, Manuel Dicenta, William Leytion and Elvira Sanz, among others. During a year she studied theater in New York, attending the sessions of the Actor's Studio. Also she followed courses of dance with Joan Magrinyà, Joan Tena, Leif Orbeng and Víctor Ullate; and monographic factories of dance with Rudolf Nureyev (Sitges, 1972) and Maya Plitseskaya (Albéniz Theater, 1986).

As theater actress, it has worked with different groups of independent theater and festivals, having realised tours by all the country with married works as the three perfect ones from Alejandro Casona, an enemy of the town of Ibsen, Wished of Max Aub, the beautiful Dorotea de Miguel Mihura, etc. With the Company of National Theater María Guerrero represented the Earth is round of Armand Salacron, the punishment without revenge of Lope de Vega (with tour by the USA) and the gentleman of Olmedo, directed by Lluís Pascual. In the Spanish Theater of Madrid it represented Picospardos, the book of the forest and Circus of you will go and you will not return. Other works include Antígona, Sublime decision and the eagle of two heads of Jean Cocteau.

As movie actress, it participated in Ridges, short of Jesús Aranguren; Half of the sky, Manuel Gutiérrez Aragón; and the glance of the other, Vicente Aranda. For the television, it is possible to emphasize diverse works in Study 1 and Novel, and series as the sea and the time, of Fernando Fernán Gómez, urban Chronicles of J.L. Rodríguez Puértolas, Surroundings of Goyo Quintana, the woman of my life of María Ripoll, a full book basket, the worlds of Yupi and Hermanas.

 

joaquin_torre1

More information on Nuria Soler in https://www.talleresnuriasoler.com/teatro

JOAQUIN TORRE. Violin.

It must his violinística formation to professors Alfonso Ordieres, Francisco Comesaña, Dorothy Delay, Raphael Bronstein and Félix Andrievsky, in centers as the Conservatory of Music of Oviedo, Real Conservatorio de Música of Madrid, Manhattan School of Music, Juilliard School of Music and Royal College of Music. The Wise person owns the title of Doctor by the University Alfonso X “.

Winner of XXVII the Contest of Isidro Gyenes Violin (Madrid, 1990) and of Lucy Dove Prize (London, 1992), his concertística work has been developed in Europe, Canada, the United States, South America, Japan and the Middle East. Also he has participated in numerous festivals of music, as Aspen Music Festival (EE.UU.), Académie Internationale de Músique de Tours (France), Schleswig-Holstein Musik Festival (Germany), Festival of Music of Camera of Tuy, Festival the International of Music of Espinho (Portugal) and Festival of Nights of Spanish Music of Muscat (Oman).

Its interest by the music of our time has taken brand new in Spain works to him of Sciarrino, Lindberg, Hosokawa, Lopez Lopez, Murail, José Luis Turina, Camarero and Gervasoni among others.

Its great love by the camera music is in the origin of the Quartet of Araciel Cord, of which he is founding. Also it comprises of the Orchestra of Reina Sofía Camera from 1993. Between the musicians with whom it collaborates assiduously more they are Kennedy Moretti, Iván Martín, Sebastián Mariné, Serguei Teslia, José Manuel Román, Iagoba Fanlo, David Apellániz and Ashan Pillai.

He has been professor in the School Superior of Reina Sofía Music, and at the moment it occupies a chair of violin in Real Conservatorio Superior de Música of Madrid. He is also professor in the Faculty of Music of the University Alfonso X “Sabio, and from 2005 is invited professor of the Young Wagner Festival in Bayreuth (Germany). Their students have obtained prizes in international contests, and comprise of the main orchestras and Spanish conservatories.

 

AntonioOyarzábalFoto1Joaquín Torre touches a violin constructed by P.A. Testore in Milan in 1736, with a Persoit arc done in Paris in 1830.

ANTONIO OYARZ?BAL. Accompanying pianist.

Antonio Oyarzabal is born in Bilbao in 1989. He begins his studies of piano with Sister Cecilia Keller and Guadalupe López-Castelo. Next, he study superiors in Musikene. under the trusteeship of Marta Zabaleta and Miguel Borges Coelho, specializing in contemporary music with Ricardo Descalzo. Throughout his formation he receives classes of professors Denis Pascal and Anahit Simonian; he has also received masterclasses of Émile Naoumoff, Guigla Katsarava, Bernard d'Ascoli and Josep Colom, among others.

He finalizes his studies with a Master of Interpreter Soloist and a Artist Diploma in the Guildhall School of Music and Drama of London, with professor Caroline Palmer (2015-2017).

It was pianist of the Gustav Mahler Jugendorchester of Vienna in seasons 2014-15. Antonio is in addition pianist to the EUYO, Young person Orchestra of the European Union. Also it gained the place for the JORCAM of Madrid, the University of London Symphony Orchestra, the EGO in the Basque Country and the YMSO of England, with which it touches assiduously. It has been directed by Vasily Petrenko, David Afkham, Vladimir Ashkenazy, John Wilson, James Blair, Leo McFall, Juan José Ocón, Simone Bernardini and Pierre Cao, among others. Recently it has collaborated with the Orchestra of Euskadi, touching Petrushka under the baton of Jun Märkl.

As camera musician, he has been integral of the A&M Sextuor, with which it has touched in the Musical Fortnight of San Sebastian. At the moment he is integral of the trio Trisquel Arts, with which it has offered recites to them in London, Asturias and Basque Country. As soloist, Antonio has offered concerts and recites in Spain and the foreigner to them: Foundation Anckle boot of Santander, Festival Pyrenean Classic, Festival of Aiara and Festival the International of Paxos (Greece); The Forge Venue, St John Baptist Church, St George Bloomsbury and Milton Court Hall in London. Next to the orchestras of which he is titular, Antonio has touched in rooms as the Musikverein of Vienna, National Audience of Madrid, Opera of Munich, Fundaçao Gulbekian of Lisbon, Festival of Grafenegg, Barbican Hall of London or in PROMS 2014 in the Royal Albert Hall.

As soloist, it has touched works as the Rhapsody in Blue of Gershwin with the EUYO, directed by Peter Stark; the Sun Concert of Ravel and the Concert 9 number ‘Jeunehomme’ of Mozart with the JOL; and the Concert for two pianos and orchestra of Poulenc, with the Symphonic one of Musikene. Recently it has touched Concert n

°23 of Mozart with the Aldwych Symphony of London.

Antonio arranges the solística and camerística activity with the vocal support. It collaborates frequently with singers and it has offered recites next to mezzo Chloë Schaaf, participating in the Festival of Lieder de Leeds and in the Song in the City Festival to them of London.  With the soprano Mirjam Mesak, it has touched in Westminster SEO of London; and recently they have been named finalists of English Song Competition (GSMD). It has also accompanied to the sopranos Emily Magee and Christiane Karg.

 


Scholar by the Guildhall School Trust, Antonio has also obtained the fourth prize in the Eastbourne Young Musician Competition (2013), and the second prize in the Contest the International Île de France in Paris (2008). Recently he has been named pianist of the program Foyle Future Firsts 2016/2017 in London Philarmonic Orchestra.

Sponsoring and Collaborating